Monday, 12 December 2016

Far From the Madding Crowd by Thomas Hardy




Hardy is primarily a storyteller and should be viewed more as a chronicler of moods and deeds than as a philosopher. Yet a novel such as Far from the Madding Crowd, which raises many questions about society, religion, morals, and the contrast between a good life and its rewards, is bound to make the reader curious about the author who brings them up.

The story of independent, beautiful and headstrong Bathsheba Everdene  who attracts three very different suitors: Gabriel Oak  a sheep farmer, captivated by her fetching willfulness; Frank Troy a handsome and reckless Sergeant; and William Boldwood , a prosperous and mature bachelor. This timeless story of Bathsheba's choices and passions explores the nature of relationships and love - as well as the human ability to overcome hardships through resilience and perseverance.

Smart and educated, Miss Everdene enchants one man after the other, sheep farmer, well-to-do bachelor, and a broken-hearted young sergeant. She denies her feelings, rejects the safety a marriage would bring and maintains independence in order to keep managing the farm she has saved from ruin. But she is never alone. Hardy lets us know the politics of being a woman in 1870 England through his characters' actions, opinions and privileges. Life, it seems, is never easy, but once in a while it is fun.

In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Bathsheba Everdene, who has inherited a large farm from her uncle, becomes the center of attention for three men. After a chance meeting with a gentle sheep farmer, Gabriel Oak, Gabriel proposes marriage to Bathsheba, but is refused, as she does not consider him a proper suitor. Gabriel loses most of his herd and becomes a faithful shepherd for Bathsheba. She then meets a neighboring well-to-do farmer, Mr. Boldwood, who impresses Bathsheba. She later capriciously sends him a valentine, which excites Boldwood, and he later proposes marriage. Bathsheba puts him off, but it is assumed that she will succumb. In a subplot, a marriage between Bathsheba's servant, Fanny Robin, and the dashing Sergeant Troy is stopped because of a misunderstanding. Troy turns his attentions to Bathsheba and impresses her with his dazzling sword practice. Troy gains her hand in marriage, leaving Boldwood heartbroken. Meanwhile, the hapless Fanny dies in the workhouse, and her body is brought back to Bathsheba's farm. Bathsheba discovers the corpse of a baby, Troy's child, beside that of Fanny. Troy then disappears, and when his clothes are discovered on a beach, it is presumed that he has drowned. Bold wood reappears on the scene, and Bathsheba agrees to marry him out of a sense of remorse. Troy, however, unexpectedly returns and is killed by the distraught Bold wood, who is later tried and found insane. Bathsheba is at last ready to see the true worth of Gabriel, who has faithfully waited like the Oak of his last name, and the two are married. the novel presupposed certain conventions, which could account for the melodramatic nature of many of the scenes. Study of Hardy's manuscript has shown that he had to make extensive alterations in the portions of the novel referring to Fanny Robin and her illegitimate child. Hardy was widely read and respected at the turn of the twentieth century, but a perception that his work was mostly for a popular audience discouraged serious criticism for several decades.

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