krushnayan-manas thaine jiveli ishvar ni katha

• "Krushnayan"Today i am going to share some review of the book which i read on 3rd November ‘17. as examination was very near i couldn't publish review at that time.

 Ø preface:

"Krushnayan" is written by kajal oza vaidh. it's full titel is 'krushnayan-manas thaine jiveli ishvar ni katha'. it is novel.

Generally we knows krishna as a God of love. we also call him great gambler or cheater. we prays him,we worships him very respectfully. we knows him only by other's sight , As mahabharat describes or Gita describes him.

kajal oza vaidhya present him differently. she put him in a different way. she says that she never Put krishna as God but she see him as a Friend who is very near to him. she uses word for him "virat svrup". She sees him as a miracle charecter of that time. She describe him as an ordinary person of today’s time and also extra ordinary person of that time. He is so simple that he can drink coffee with us and he is so great who can preach whole "Gita" to arjun of that time.

‌krishna accepts all the things from world in whatever form he get. Pain ,Happiness,sorrow,sacrifice all the human feelings.

Ø Flashback technique in the novel:

The main female characters of  the novel are Radha ,Rukmani,and Draupadi. When Krishna was at death moments he memorise all the things which he passed through his life. Kajal oza narrates all the things as Krishna is seeing dream and also represents thoughts that what happens if it will be like this instead of that action.in this way narration is all about past.

Ø Feminism But not feminist

Also there is beautifully applied feminism in this novel. writer portraits female as a great resource of love and women can become the best friend of male, as she has also jelousy lies in their mind but she decide to keep out of jelousy she will be fully of love sympathy. Here in this novel she describes satyabhama the younger wife of shree Krishna. She is so immature that she felt jelousy from Rukmani but Krishna understands her mental situation.

Also mental condition of rukmani is described  by her that how she waited longer for the Krishna when he was always out  from her room , castle. Rukmani is his wife, is very mature and sensitive women. She has deep sense to understand all the things which is going with Krishna and what he is thinking can easily understand.

Draupadi is one of her best friend. She is also sensitive and and very mature, she knows how to control her five husbands(pandavas) and and she keep always balance between five husbands. That is the Reason why five husbands has great respect for her. As well draupadi knows Krishna. She calls him as “sakha”.

writter balances here the felings of female and male. she put both the side of women positive and negative But don"t strongly blames krishna , arjun or the husband of Radha.

Ø Life to exquisite:

As we knows that when Krishna was at his end he has finished all the work for what he has took born on earth. He started his miracle or showing his superpower from very beginning from where he born in thee jail to Gokul.he has won fight from “kalinaag” the poisonous and giant snake.then mama kans Etc.. and at the end one hundred Pandavas.

As we know that when person is going to die and he has finished all the work which he desires to do, He dies peacefully. Myth says that he becomes perfect and melt in to Existence or got heaven.and al the heaven or existence is part of krsihna himself.

But kajal oza starts novel with line that He was suffering for peace ; Existence; infinity.

I am ending my review with this line which is kajal oza vaidhya used for begin her novel

                             “त्वदियम वस्तु गोविन्द तुभ्यमेव समप्यँते”

           Each of these words in one line is superbly explored...

खुमारी - ओशो

डोल भी रहे मस्ती में और जागे भी,
नाच भी रहे और जागे भी...
गीत को उठने दो, गीत को उठने दो और साज को छिड़ जाने दो
गीत को उठने दो और साज को छिड़ जाने दो...
चुप्पी को छुने दो लफ़्जों के नर्म तारों को,
चुप्पी को छुने दो, चुप्पी को छुने दो लफ़्जों के नर्म तारों को
और लफ़्जों को, और लफ़्जों को चुप्पी की गजल गाने दो।
गीत को उठने दो और साज को छिड़ जाने दो...
खोल दो खिड़कियाँ सब, और उठा दो पर्दे,
नयी हवा को बंद घर में आने दो।
छत से झाँक रही कब से है चाँदनी की परी,
दिया बुझा दो, आँगन में उतर आने दो।
फ़िजाँ में छाने लगी है, फ़िजाँ में छाने लगी है बहार की रंगत
फ़िजाँ में छाने लगी है बहार की रंगत...
जुही को खिलने दो, जुही को खिलने दो और चम्पा को महक जाने दो।
गीत को उठने दो और साज को छिड़ जाने दो...
जरा संभलने दो मीरा की थिड़कती पायल,
जरा संभलने दो, जरा संभलने दो मीरा की थिड़कती पायल,
जरा गौतम के सधे पाँव बहक जाने दो।
जरा संभलने दो मीरा की थिड़कती पायल,
जरा गौतम के सधे पाँव बहक जाने दो।
गीत को उठने दो और साज को छिड़ जाने दो...
हँसते होठों को, हँसते होठों को जरा चखने दो अश्कों की नमी...
और नम आँखों को, और नम आँखों को जरा फ़िर से मुस्कुराने दो।
हँसते होठों को जरा चखने दो अश्कों की नमी...
और नम आँखों को, और नम आँखों को जरा फ़िर से मुस्कुराने दो।
दिल की बातें अभी झड़ने दो हरसिंगारों सी,
बिना बातों के कभी आँख को भर आने दो
रात को कहने दो कलियों से राज की बातें
गुलों के होठों से उन राजों को खुल जाने दो
जरा जमीं को अब उठने दो, जरा जमीं को अब उठने दो अपने पाँवों पर
जरा आकाश की बाहों को भी झुक जाने दो
जरा जमीं को अब उठने दो अपने पाँवों पर
जरा आकाश की बाहों को, जरा आकाश की बाहों को भी झुक जाने दो।
गीत को उठने दो और साज को छिड़ जाने दो...
जरा संभलने दो मीरा की थिड़कती पायल,
जरा गौतम के सधे पाँव बहक जाने दो।
कभी मंदिर से भी उठने दो, कभी मंदिर से भी उठने दो अजान की आवाज
कभी मंदिर से भी उठने दो अजान की आवाज
कभी मस्जिद की घंटियों को भी बज जाने दो
कभी मस्जिद की घंटियों को भी बज जाने दो
पिंजरे के तोतों को दुहराने दो झूठी बातें,
अपनी मैना को तो, अपनी मैना को तो पर खोल चहचहाने दो।
उनको करने दो मुर्दा रस्मों की बर्बादी का गम
हमें नयी जमीं, नया आसमां बनाने दो।
एक दिन उनको उठा लेंगे सर आँखों पर
आज जरा खुद के तो पाँवों को संभल जाने दो
एक दिन उनको उठा लेंगे इन सर आँखों पर
आज जरा खुद के तो पाँवों को संभल जाने दो
गीत को उठने दो और साज को छिड़ जाने दो...
जरा संभलने दो मीरा की थिड़कती पायल,
जरा गौतम के सधे पाँव बहक जाने दो।
जरा सागर को बरसने दो बन कर बादल
और बादल की नदी को सागर में खो जाने दो।
जरा चंदा की नर्म धूप में सेंकने को बदन
जरा सूरज की चाँदने में भींग जाने दो।
उसको खोने दो, उसको खोने दो जो कि पास कभी था ही नहीं
उसको खोने दो जो कि पास कभी था ही नहीं
जिसको खोया ही नहीं, जिसको खोया ही नहीं उसको फ़िर से पाने दो
उसको खोने दो जो कि पास कभी था ही नहीं
जिसको खोया ही नहीं उसको फ़िर से पाने दो
गीत को उठने दो और साज को छिड़ जाने दो...
जरा संभलने दो मीरा की थिड़कती पायल,
जरा गौतम के सधे पाँव बहक जाने दो।
अरे हाँ हाँ हुए हम, लोगों के लिए दीवाने
अब लोगों को भी कुछ होश में आने दो
ये है सच कि बह्त कड़वी है मय इस साकी की
ये है सच कि बह्त कड़वी है मय इस साकी की, 
रंग लाएगी गर साँसों में उतर जाने दो
छलकेंगे जाम जब छाएगी खुमारी घटा, 
जरा मयखानों के पैमानों को तो संभल जाने दो
जरा साकी के तेवर तो बदल जाने दो।
गीत को उठने दो और साज को छिड़ जाने दो...
जरा संभलने दो मीरा की थिड़कती पायल,
जरा गौतम के सधे पाँव बहक जाने दो।
न रहे मयखाना, न रहे मयखाना, न मैख्वार, न साकी, न शराब 
नशे को ऐसे भी एक हद से गुजर जाने दो
उसको गाने दो, उसको गाने दो अपना गीत मेरे होठों से
उसको गाने दो अपना गीत मेरे होठों से
मुझे उसके सन्नाटे को गुनगुनाने दो।
जरा संभलने दो मीरा की थिड़कती पायल,
जरा गौतम के सधे पाँव बहक जाने दो।
गीत को उठने दो और साज को छिड़ जाने दो...
गीत को उठने दो, गीत को उठने दो और साज को छिड़ जाने दो...

Posted 8th June 2011 by Anoop Verma

  

gzl

માન તો રાખ્યું જ છે પણ મન નથી રાખ્યું તમે,
આપણા સંબંધમાં જીવન નથી રાખ્યું તમે.

એ ખરું કે સહેજ પણ બંધન નથી રાખ્યું તમે,
તોય પોતીકા સમું વર્તન નથી રાખ્યું તમે.

આટલા જલ્દી તમે ઘરડાં થયાં, કારણ કહું?
વાણી, વર્તન ક્યાંય પણ યૌવન નથી રાખ્યું તમે.

એ જ, એનો એ જ છે આજેય લબકારાનો લય,
કોઇને માટે અલગ કંપન નથી રાખ્યું તમે.

આપ કરતા હો છો મૃત્યુની જ વાતો હરઘડી,
જીવવાનું કોઇ આયોજન નથી રાખ્યું તમે?

– કિરણસિંહ ચૌહાણ

માન અને મન ! – એક માત્રાના ફરકમાં જિંદગી બદલાઈ ગઈ! શબ્દોની આવી કરામત જોઈએ ત્યારે ખાતરી થાય કે કવિ શબ્દો પાસે જતો નથી, શબ્દો કવિ પાસે આવે છે. ઉપરછલ્લું માન રાખવાનું આપણને સહુને રાસ આવી ગયું છે પણ સામાનું મન કેવી રીતે રાખવું જ્યારે ચૂકી જવાય છે ત્યારે સંબંધમાં માત્ર શરીર રહી જાય છે, જીવન ઓસરી જાય છે. અકાળે વૃદ્ધત્વ આવી જવાનું કારણ સમજાવતો શેર તો અજરામર થવા સર્જાયો છે… આખી ગઝલ એકદમ સરળ અને સહજ ભાષામાં પણ એક-એક શેર બિંદુમાં સિંધુ જેવા!

હું, માશૂક, બદલતો રહું છું !
એક જ રૂપ સદૈવ નિહાળી
રખે જાય હુંથી કંટાળી
એ બીકે તરફડતો રહું છું !
હું, માશૂક, બદલતો રહું છું !

.       કદી વૈરાગી, કદી વિલાસી,
.       કદી વૈભવરત, કદી ઉપવાસી,
.       કદી પરિતૃપ્ત, કદી ચિરપ્યાસી,
.       કદી અત્યાગ્રહી, કદી ઉદાસી,
.       કદી અધૂરો, કદી છલતો રહું છું !
.      હું, માશૂક, બદલતો રહું છું !

.                કદી મિલનમાં પણ રહું ઠાલો,
.                કદી વિરહમાં પણ મતવાલો,
.                કદી ગંભીર, કદી અતિ કાલો,
.                કદી સુક્કો, કદી લહેરી લાલો,
.                કદી ટાઢો, કદી જલતો રહું છું !
.                હું, માશૂક, બદલતો રહું છું !

.                          હું ચાંદો, સખિ, તું મુજ ધરતી,
.                          વધુઘટું રંગ તારો વરતી :
.                          આરતી બનીને તારા ફરતી
.                          પ્રદક્ષિણા પ્રીતિ મુજ કરતી !
.                          તૃપ્ત તોય ટળવળતો રહું છું !
.                          હું, માશૂક, બદલતો રહું છું !

– કરસનદાસ માણેક

"Digdarshak" by Rishit zaveri,

Hello friends,
 After reading the post from the students of Department of english of watching the one act play "Digdarshak" by Rishit zaveri,I also wanted to see that play. and somehow i got time. Me also watched that play and want to give review of the play. Very firstly, its proud that Our Gujrati artists are so outstanding. #priyam jani and #Aditya thakor are playing super role. Rishit zaveri has directed it very well. The opening scene is of the person who has spent his whole life on the theatre and still was there. No doubt now that theatre is not so active as it was in past days. This scene is showing the harsh reality that now a days Drama are lost. no one is intrested in Theatre play or Drama. no one like live play and drama but public love to watch Cinema(movies).Day by day generation is upadted with some new thoughts and with new hobbies. no one intrested in older version. same situation is performed by the main protagonist who is suffring from the mentality of #Old is Gold. While one of his trainee wants to fly in the sky with the new wings and the sight. No doubt he dont want to break heart of his master but when he is told that you should go away from the master, whatever reason behind it, He got the world to step further. sometimes we only blame the people who think something forward and does the act which is not bad but diffrent from ordinary. who don't follow the mass but believes in himself. That is the reason why we humanbeing are raised ! If Eve will not eat the apple and not disobbey the god we will never be able to got life of Freedom.

“if you can read this ,Thanks a Teacher”

 

As we all know today is Teacher’s day and we all are enthusiastically celebrating teacher’s day, I wanna share some  important quotes of Educationalist as well Great teacher. May be they will be  not teacher by profession but still they are the greatest teacher of the world because they did wonderful work towards education system. Its our duty to remember them.sometime we focus on ourself ,the quote pop-up in our mind “if you can read this ,Thanks a Teacher”

Here I would like to share some information of dr.radhakrishnan sarvpalli.i took it from wikipedia because i didn't read anything in hardcopy from libarary.

The Origin of Teacher’s Day

Since 1962, 5th of September has been celebrated as Teacher’s Day in India. Dr. Sarvepalli Radhakhrishnan was a philosopher and a teacher par excellence. Dr.Radhakrishnan’s love for the teaching profession. From then onwards, his birthday is observed as Teacher’s Day in India.

Dr. Radhakrishnan was of the opinion that only the right kind of education could solve many ills of the society and the country. He wanted to bring in a change in the educational system by improving the quality of education and building up a strong relationship between the teacher and the taught. In his opinion, teachers should be the best minds of the country; they should not merely instruct but should gain the true affection of pupils, and the respect for teachers cannot be ordered but it should be earned.
 

Ø Some important quotes from Educationalist:

o   "An education which does not teach us to discriminate between good and bad, to assimilate the one and eschew the other, is a misnomer."- Harijan, 18-2-1939 and 4-3-1939  -Gandhiji

o   "Education should be so revolutionized as to answer the wants of the poorest villager, instead of answering those of an imperial exploiter."- Harijan, 21-8-1937 -Gandhiji

o   Whom do I call educated? First, those who manage well the circumstances they encounter day by day. Next, those who are decent and honorable in their intercourse with all men, bearing easily and good naturedly what is offensive in others and being as agreeable and reasonable to their associates as is humanly possible to be... those who hold their pleasures always under control and are not ultimately overcome by their misfortunes... those who are not spoiled by their successes, who do not desert their true selves but hold their ground steadfastly as wise and sober - minded men.

o   "શિક્ષક યાદ  રાખે  કે એનું કાર્ય વિધાર્થીની માત્ર પરીક્ષા માં સફળ નિવડવા માટે તૈયાર થવામાં મદદ કરવાનું નથી,પરંતુ એવું તો જ્ઞાન આપવાનું છે કે જીવનની અંતિમ પરીક્ષામાં તે સબહુમાન ઉત્તીર્ણ થાય." -ફિરોજ હાવાર .

o   "પ્રત્યેક તાસ તાજ્જા વિચારોની મિજબાની જેવો બનવો જોઈએ જગતની દુષ્ટતાનો સામનો વર્ગખન્ડ કરવો પડશે " -ગુણવંત શાહ

o   "શિક્ષક પોતે શીખતો ના રહે તો કદી શીખવી ન શકે" -રવિન્દ્ર ટાગોર